Yamaha MM8 Review

One of the most popular, the Yamaha MM8 keyboard has a good reason. Some of you may wonder what the MM eight stands for. It actually stands for mini motif, a representation of the motif keyboard created by Yamaha.

One of the contrasting differences between the motif and the MM8 is that the sound libraries are borrowed from the PSR line of keyboards. Hence, the Yamaha MM8 is somewhat of a hybrid.

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One notable feature is that the keyboard itself is actually an 88 note piano with graduated hammer action and is considerably larger than previous models.

If we look at the top console layout of the keyboard it would appear to be somewhat sparse but that is just because of the size of the keyboard. Yet there are a lot of features built-in including an array of buttons to keep you happy.

This keyboard is somewhat light to carry even though it features graded hammer action keys. Certainly the Yamaha MM8 is well-suited for band performance, however if you are considering using his kennel is a full-fledged recording studio on its own then you might want to consider another keyboard for that purpose or hook it up to a computer equipped with MIDI software.

On power up the Yamaha MM8 defaults to an somewhat punctuated acoustic grand piano rather than the standard acoustic piano. Yamaha refers to this as the power grand, a sound that is very present and upfront.

While it is a great sound it isn’t all that great for creating solos in his more well adapted to background playing. I would suggest using some of the other internal piano sounds. The MM8 features the ability to split or layer the keyboard in the same manner as many other keyboards, so nothing new there.

Wanting to certainly note which came as somewhat of a surprise is the fact that the keyboard only supports 32 notes of polyphony. That is a big surprise given the price for this keyboard. Maybe keyboards in this price range usually sport 64 notes of polyphony. So using the MM8